ACTA IASSYENSIA COMPARATIONIS 28,  (2/2021)
LITERATURA ŞI CULTURA POP/ LITERATURE AND POP CULTURE / LA LITTÉRATURE ET LA CULTURE POP


Contenu

LAURENT BALAGUÉ
«Littérature mineure» et culture pop : les liens possibles

LAURA CIOCHINĂ-CARASEVICI
Dimensiones psicosociales de la interpretación de la novela Don Quijote de la Mancha a la luz de la canción popular
The Impossible Dream
del musical Man of La Mancha

LUISA MESSINA
Les cafés

JORGE LÓPEZ LÓPEZ
Acne Mags: Identifying the Time Setting in Clive James’ Novels through Bric-a-Brac Facts

ANDREI VICTOR COJOCARU
A New Way to (Mis)Understand the Power of Fantasy in Mark Lawrence’s
The Broken Empire
Trilogy

KATHRIN NEIS
‘The (Meta-)Game is On’. Metafiction in SHERLOCK

MARÍA INÉS ARRIZABALAGA
Fluidization of Knowledge, Hypermedia Translation and Defiction Combine for a Fictional World of the MacLachlan Clan?

NICOLAE BOBARU
De la mica sirenă la Ariel

DRAGOŞ CARASEVICI
Mr. Yeats sings the blues. O discuţie a albumului An Appointment with Mr. Yeats
(The Waterboys) din perspectiva teoriei receptării

TIJANA CUPIC
The Perfect Miss Narco: On Hateful Representation of Women in Netflix TV Shows El Chapo and Narcos: Mexico

ELISABETH SCHULZ
Le shtetl de Sholem Aleichem: du roman yiddish au film américain

CĂTĂLIN CONSTANTINESCU
Adaptation and Transposition in Ulver’s Themes from William Blake’s Marriage of
Heaven and Hell

KHATIJA KHAN
Censorship and the Cultural Ambiguities of Singing against Authoritarianism in Zimbabwe: The Case of Winky D’s Popular Musi

 


Issue 28 (PDF).