{"id":677,"date":"2017-10-29T11:42:41","date_gmt":"2017-10-29T08:42:41","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=677"},"modified":"2021-11-19T12:17:19","modified_gmt":"2021-11-19T09:17:19","slug":"numero-special-2017","status":"publish","type":"page","link":"https:\/\/literaturacomparata.ro\/aic\/?page_id=677&lang=fr","title":{"rendered":"Num\u00e9ro Special 2017"},"content":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, SPECIAL ISSUE
\n400 Years with Shakespeare & Cervantes
\n<\/strong><\/h4>\n
\n

\"\"<\/a><\/p>\n

During the 400 years since the death of William Shakespeare and Miguel de Cervantes, their works have lived on, inspiring
\ngeneration after generation, age after age and culture after culture, crossing spatial and temporal boundaries, being
\nappropriated, used and sometimes even abused in various
\nattempts to justify different ends. Thus, Shakespeare has
\nbecome more than a Renaissance English playwright and poet, in the same way that Cervantes has become more than the one true father of Spanish prose. They are now seen as cultural
\nphenomena and their writings have been refashioned,
\nre-written, re-interpreted and re-contextualized in a variety of texts ranging from literature to visual arts, music, film, cartoons, on-line documentaries, advertisements, etc. The evernew ways of reading the Bard\u2019s, as well as the Prince of Wits\u2019 works, do not necessarily bring new insights into or understanding of their characters, but reveal more about ourselves, about the way we see the world and internalize certain feelings, attitudes, choices or reactions.<\/p>\n

In order to celebrate both writers and their works, but also all those who have been
\ninterested in their cultural afterlives for four centuries, we have gathered in this
\nanniversary issue a selection of articles on a variety of Shakespearean and Cervantian
\ntopics, ranging from literary theory and criticism or comparative literature to cultural, translation or performance studies.<\/p>\n

\n

400 a\u00f1os con Shakespeare & Cervantes<\/strong><\/h4>\n

Los 400 a\u00f1os que transcurrieron desde la muerte de William Shakespeare y Miguel de
\nCervantes han visto pervivir sus obras, inspirando generaci\u00f3n tras generaci\u00f3n, siglo tras siglo y cultura tras cultura, trascendiendo los l\u00edmites espaciales y temporales, siendo apropiadas, utilizadas y a veces incluso abusadas en un sinf\u00edn de intentos por justificar diferentes fines. As\u00ed, Shakespeare se ha convertido en m\u00e1s que un dramaturgo y poeta
\nrenacentista ingl\u00e9s, de la misma manera que Cervantes se ha convertido en m\u00e1s que el \u00fanico y verdadero padre de la prosa castellana. Hoy en d\u00eda ambos son considerados
\nfen\u00f3menos culturales y sus creaciones han sido remodeladas, reescritas, reinterpretadas y recontextualizadas en una variedad de textos que van desde la literatura a las artes
\nvisuales, m\u00fasica, cine, dibujos animados, documentales, anuncios publicitarios, etc. Las siempre nuevas maneras de leer las obras del Vate, as\u00ed como las del Pr\u00edncipe de los
\nIngenios no nos ofrecen necesariamente la oportunidad de comprender mejor a sus
\npersonajes, sino que revelan m\u00e1s sobre nosotros mismos, sobre nuestra forma de ver el mundo e internalizar ciertos sentimientos, actitudes, opciones o reacciones.<\/p>\n

Para celebrar a estos escritores y a sus obras, pero tambi\u00e9n a todos aquellos que se
\nhan interesado en sus vidas culturales posteriores durante cuatro siglos, hemos reunido en este n\u00famero conmemorativo una selecci\u00f3n de art\u00edculos sobre una variedad de temas
\nshakesperianos y cervantinos que van desde la teor\u00eda y cr\u00edtica literaria o la literatura
\ncomparada hasta los estudios culturales, teatrales o de la traducci\u00f3n.<\/p>\n

 <\/p>\n

\n

Contents<\/strong><\/h4>\n

Elena CIOBANU
\n\u201cA Pound of Flesh as Forfeit\u201d. Deconstructive Patterns in The Merchant of Venice<\/em><\/a><\/p>\n

Ileana Oana MACARI
\nConsiderations on the Translation of Shakespeare\u2019s Titles into Romanian<\/a><\/p>\n

Silvana N. FERN\u00c1NDEZ
\nDe mapas y espacios en The Tempest<\/em> (1611\/1623) de William Shakespeare y Lord Jim<\/em> (1900) de Joseph Conrad<\/a><\/p>\n

Veronica POPESCU
\nJapanese Romeo x Juliet<\/em> as Site of Cultural Cross-Pollination<\/a><\/p>\n

Estella Antoaneta CIOBANU
\nDivine (with) Shakespeare: Two Postmodern Case Studies of Divination<\/a><\/p>\n

Joseph P. HAUGHEY
\nUnited States College Literary Soctiety Shakespearean Afterlives in the Nineteenth Century: James Cadman and Kalamazoo College\u2019s Sherwood Rhetorical Society<\/a><\/p>\n

Monica MATEI-CHESNOIU
\nSpace, Place, and Shifting Worlds in Shakespeare and Cervantes<\/a><\/p>\n

Harry BERGER JR
\nCanon Fodder: A Study of Don Quijote<\/em><\/a><\/p>\n

Andrei-Iulian DIN
\nEl Camino de Don Quijote<\/a><\/p>\n

Laura CARASEVICI
\nDon Quijote de la Mancha e Ignatius Reilly: dos locos cuerdos. Un encuentro entre\u00a0Miguel de Cervantes y John Kennedy Toole<\/a><\/p>\n

Lavinia SIMILARU
\nEl mundo contempor\u00e1neo en los Entremeses<\/em> de Cervantes<\/a><\/p>\n

Lavinia IENCEANU
\nDon Quijote en el Nuevo Mundo. Las picard\u00edas, candideces z quijotadas de un hidalgo disoluto<\/a><\/p>\n

Dana Mihaela GIURC\u0102
\nEl Quijote universal. Siglo XXI<\/a><\/p>\n

\n

Special Issue<\/a> (PDF)<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, SPECIAL ISSUE 400 Years with Shakespeare & Cervantes During the 400 years since the death of William Shakespeare and Miguel de Cervantes, their works have lived on, inspiring generation after generation, age after age and culture after culture, crossing spatial and temporal boundaries, being appropriated, used and sometimes even abused in various … Continue reading Num\u00e9ro Special 2017<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":190,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-677","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=677"}],"version-history":[{"count":3,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/677\/revisions"}],"predecessor-version":[{"id":1513,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/677\/revisions\/1513"}],"up":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/190"}],"wp:attachment":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}