{"id":578,"date":"2017-09-11T16:12:13","date_gmt":"2017-09-11T13:12:13","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=578"},"modified":"2017-09-11T16:34:21","modified_gmt":"2017-09-11T13:34:21","slug":"22005-identitatealteritate","status":"publish","type":"page","link":"https:\/\/literaturacomparata.ro\/aic\/?page_id=578&lang=ro","title":{"rendered":"2\/2005, IDENTITATE\/ALTERITATE"},"content":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 2\/2005
\nIDENTITATE\/ALTERITATE<\/h3>\n
\n

Cuprins<\/strong><\/h4>\n

Yves Chevrel<\/strong>
\nLitt\u00e9ratures europ\u00e9ennes, litt\u00e9rature europ\u00e9enne?<\/em>\u00a0\u00a0 <\/span><\/p>\n

Viorica S. Constantinescu<\/strong>
\nF\u00e9nelon \u015fi amurgul clasicilor<\/em>\u00a0\u00a0 <\/span><\/p>\n

Alina Maria Asavei<\/strong>
\nIdentitate \u015fi pluralism cultural din perspectiv\u0103 antropologic\u0103 <\/em>\u00a0 <\/span><\/p>\n

Ilinca Ilian<\/strong>
\nCreaci\u00f3n de la identidad cultural: el destino de la cultura latinoamericana<\/em> \u00a0 <\/span><\/p>\n

Elena-Br\u00e2ndu\u015fa Steiciuc<\/strong>
\nL\u2019identit\u00e9 maghr\u00e9bine \u00e0 travers trois auteurs d\u2019expression fran\u00e7aise: Mouloud Mammeri, Driss Chra\u00efbi, et Albert Memmi<\/em>\u00a0\u00a0 <\/span><\/p>\n

Adrian Crupa<\/strong>
\nProiec\u0163ii spa\u0163iale ale identit\u0103\u0163ii\/alterit\u0103\u0163ii \u00een g\u00eendirea tradi\u0163ional\u0103 rom\u00e2neasc\u0103 <\/em>\u00a0 <\/span><\/p>\n

Najib Redouane<\/strong>
\nTemps et fonctionnement textuel chez Rachid Mimouni<\/em>\u00a0\u00a0 <\/span><\/p>\n

Guy Dugas<\/strong>
\nLes habits noirs de Mordekha\u00ef. La mauvaise conscience dans La Statue de sel<\/em>\u00a0\u00a0 <\/span><\/p>\n

Ana-Maria \u015etefan<\/strong>
\n<\/span>Images of the Other in a Historical Play: R\u0103zvan \u015fi Vidra<\/span> by Bogdan Petriceicu Hasdeu<\/span><\/em>\u00a0\u00a0 <\/span><\/p>\n

Iulian Costache<\/strong>
\nJocurile alterit\u0103\u0163ii \u00een definirea identit\u0103\u0163ii eminesciene<\/em>\u00a0\u00a0 <\/span><\/p>\n

C\u0103t\u0103lin Constantinescu<\/strong>
\nConstruc\u0163ia identit\u0103\u0163ii \u00een Ilustra r\u00eend\u0103\u015fi\u0163\u0103 a lui Miguel de Cervantes<\/em>\u00a0\u00a0 <\/span><\/p>\n

Mihaela Cern\u0103u\u0163i-Gorode\u0163chi<\/strong>
\nShrek(!) sau oroarea de alteritate<\/em>\u00a0\u00a0 <\/span><\/p>\n

Dany Bourdet<\/strong>
\nPratiques communicationnelles m\u00e9diatis\u00e9es et identit\u00e9 en Europe de l\u2019Est: les implications identitaires en jeu dans un certain usage du <\/em><\/span> \u201cChat\u201d par les \u00e9tudiants roumains<\/span><\/em>\u00a0\u00a0 <\/span><\/p>\n

Gheorghe Iorga<\/strong>
\n<\/span>Europa\u00a0ezoteric\u0103 p\u00e2n\u0103 la Johannes Meister Eckart<\/span><\/em> \u00a0<\/span><\/p>\n

Thomas Freller<\/strong>
\n\u201eEl timbre luminoso del Estado<\/span>\u201d \u2013 Echos von Pablo de Olavides \u201ecruzada de las luces\u201d in der deutschen Literatur der Sp\u00e4taufkl\u00e4rung<\/span><\/em><\/p>\n

Jeong-O Park<\/strong>
\nRomanian Studies in <\/em> Korea<\/em><\/p>\n

C\u0103lina Gog\u0103lniceanu<\/strong>
\nRomanian Confronted with the Pronunciation of English<\/em><\/p>\n

Iulian-C\u0103t\u0103lin D\u0103nil\u0103<\/strong>
\n\u00cenceputurile presei italiene \u015fi rom\u00e2ne\u015fti \u015fi corelarea cu spa\u0163iul cultural european<\/em>\u00a0\u00a0 <\/span><\/p>\n

Manuela Macarie<\/strong>
\nAuthors, Prints and Paintings in the Georgian Period\u00a0 \u00a0<\/em><\/span><\/p>\n

Liliana Vernic\u0103<\/strong>
\n \u201ePe c\u00eend umbla Dumnezeu pe p\u0103m\u00eent\u201d sau Dumnezeu \u00een tradi\u0163ia poporului rom\u00e2n<\/em>\u00a0\u00a0 <\/span><\/p>\n

\u015eerban Fotea<\/strong>
\nContributions \u00e0 une m\u00e9taphysique chr\u00e9tienne de l\u2019amour<\/em>\u00a0\u00a0 <\/span><\/p>\n

Efstratia Oktapoda-Lu<\/strong>
\nL\u2019Orient de Victor Hugo: un voyage imaginaire<\/em>\u00a0\u00a0 <\/span><\/p>\n

Gheorghe Macarie<\/strong>
\nHabent sua fata libelli<\/em>\u00a0\u00a0 <\/span><\/p>\n

Emine Bogen\u00e7 Demirel<\/strong>
\nVoyage romanesque par le biais des photographies<\/em>\u00a0\u00a0 <\/span><\/p>\n

Leonida Maniu<\/strong>
\nDe la tragedia epocii clasice la idila perioadei alexandrine<\/em>\u00a0\u00a0 <\/span><\/p>\n

Petru\u0163a Sp\u00e2nu<\/strong>
\n\u201eCamoufler le fantastique dans le quotidien…\u201d<\/em>\u00a0\u00a0 <\/span><\/p>\n

Dana Iuliana Geangal\u0103u<\/strong>
\nRituri funerare comune la rromi<\/em>\u00a0\u00a0 <\/span><\/p>\n

Livia Cotorcea<\/strong>
\nVelimir Hlebnikov \u015fi Pavel Filonov<\/em>\u00a0\u00a0 <\/span><\/p>\n

Yvette B\u00e9nayoun-Szmidt<\/strong>
\nDu d\u00e9sir et de la douleur dans Patio\u2013Op\u00e9ra intime de Sapho<\/em>\u00a0\u00a0 <\/span><\/p>\n

Livia Iacob<\/strong>
\nParodia literar\u0103 \u00een c\u0103utarea identit\u0103\u0163ii generice <\/em>\u00a0 <\/span><\/p>\n

Anca Todera\u015fcu-Adumitroaie<\/strong>
\nA Translational Challenge: Wordplay in the “Sampson and Gregory\u201d Scene<\/em>\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

Adrian Voica<\/strong>
\nConvergen\u0163e intertextuale<\/em><\/span><\/p>\n

RECENZII<\/strong><\/h5>\n

C\u0103t\u0103lin Constantinescu<\/strong>, Atuuri \u015fi mize \u00een construc\u0163ia european\u0103<\/em>\u00a0\u00a0 <\/span><\/p>\n

Bogdan-\u015etefan M\u00e2ndru<\/strong>, Transdisciplinaritatea.Manifest\u00a0 <\/em><\/span><\/p>\n

Livia Iacob<\/strong>, \u00cen\u0163elepciunea calm\u0103<\/em>\u00a0 <\/span><\/p>\n

Elena-Br\u00e2ndu\u015fa Steiciuc<\/strong>, Rachid Mimouni entre litt\u00e9rature et engagement\u00a0 <\/em>\u00a0<\/span><\/p>\n

Mihaela Cern\u0103u\u0163i-Gorode\u0163chi<\/strong>, \u00centre aici \u015fi altundeva. Fascina\u0163ia unei Alte Lumi<\/em>\u00a0\u00a0 <\/span><\/p>\n

Drago\u015f Carasevici<\/strong>, Arta teatrului<\/em>\u00a0 \u00a0<\/span><\/p>\n

Mircea Fotea<\/strong>, O nou\u0103 viziune asupra Miori\u0163ei <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 2\/2005 IDENTITATE\/ALTERITATE Cuprins Yves Chevrel Litt\u00e9ratures europ\u00e9ennes, litt\u00e9rature europ\u00e9enne?\u00a0\u00a0 Viorica S. Constantinescu F\u00e9nelon \u015fi amurgul clasicilor\u00a0\u00a0 Alina Maria Asavei Identitate \u015fi pluralism cultural din perspectiv\u0103 antropologic\u0103 \u00a0 Ilinca Ilian Creaci\u00f3n de la identidad cultural: el destino de la cultura latinoamericana \u00a0 Elena-Br\u00e2ndu\u015fa Steiciuc L\u2019identit\u00e9 maghr\u00e9bine \u00e0 travers trois auteurs d\u2019expression fran\u00e7aise: Mouloud … Continue reading 2\/2005, IDENTITATE\/ALTERITATE<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":293,"menu_order":116,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/578"}],"collection":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=578"}],"version-history":[{"count":2,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/578\/revisions"}],"predecessor-version":[{"id":583,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/578\/revisions\/583"}],"up":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/293"}],"wp:attachment":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}