{"id":539,"date":"2017-09-11T15:07:38","date_gmt":"2017-09-11T12:07:38","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=539"},"modified":"2017-09-11T16:40:00","modified_gmt":"2017-09-11T13:40:00","slug":"82010-autres-mondes","status":"publish","type":"page","link":"https:\/\/literaturacomparata.ro\/aic\/?page_id=539&lang=fr","title":{"rendered":"8\/2010, AUTRES MONDES"},"content":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 8\/2010
\nAUTRES MONDES<\/h3>\n
\n

Contenu<\/strong><\/h4>\n
R\u00e9sum\u00e9s<\/a><\/strong><\/span><\/h5>\n

SIMONA ANTOFI<\/a>
\nTeritorii ex-centrice \u00eentre perspectiva livresc-europocentric\u0103 \u015fi privirea c\u0103l\u0103torului str\u0103in \u2013 Cel\u0103lalt \u015fi lumea sa<\/span><\/p>\n

CARMEN ECATERINA A\u015eTIRBEI<\/a>
\nM\u00e9taphore et traductologie \u2013 ou savoir d\u00e9chiffrer la peinture des autres mondes <\/span><\/p>\n

C\u0102LIN-HORIA B\u00c2RLEANU<\/a>
\nGenera\u0163ia Xanax<\/span><\/p>\n

BOUCHRA BENBELLA
\n<\/a>Repr\u00e9sentations de l\u2019espace public \u00ab\u00a0Jama\u2019al-Fn\u00e2\u00a0\u00bb dans le r\u00e9cit de voyage fran\u00e7ais au Maroc \u00e0 l\u2019aube du XX\u00e8me si\u00e8cle<\/span><\/p>\n

ISABELLE BERNARD & WA\u00cbL RABADI<\/a>
\nToi, d\u00e8s aujourd\u2019hui<\/em>: l\u2019\u00e2ge d\u2019homme de Tayssir Sboul<\/span><\/p>\n

RENATA BIZEK-TATARA<\/a>
\nLa vision d\u2019un monde possible dans Le Concerto pour Anne Queur<\/em> de Marcel Thiry<\/span><\/p>\n

SARAH K. CANTRELL<\/a>
\nOther Choices in Other Worlds: Pierre Bottero\u2019s Ewilan Cycle<\/em><\/span><\/p>\n

DRAGO\u015e CARASEVICI & ION LIHACIU<\/a>
\nCzernowitzer Korrespondenten deutschsprachiger in- und ausl\u00e4ndischer Zeitungen<\/span><\/p>\n

MIHAELA CERN\u0102U\u0162I-GORODE\u0162CHI<\/a>
\nLiteratura non-mimetic\u0103 \u015fi nevoia de alte lumi<\/span><\/p>\n

C\u0102T\u0102LIN CONSTANTINESCU<\/a>
\nPerspective modale \u00een dezbaterea lumi posibile<\/em> vs. lumi fic\u0163ionale<\/em><\/span><\/p>\n

DAOUDA COULIBALY<\/a>
\nCrisis in Gender Identification: An Experience in the Fluidity of Being – Virginia Woolf\u2019s Orlando<\/em> <\/span><\/p>\n

ALINA CRIHAN\u0102<\/a>
\nL\u2019autre monde en tant que monde des livres: l\u2019all\u00e9gorie de la catabase et son enjeu intertextuel dans La Divine Com\u00e9die<\/em><\/span><\/p>\n

ADRIAN CRUPA<\/a>
\nPrivind c\u0103tre \u201edincolo\u201d. Lecturi comparate ale realit\u0103\u0163ii la omul arhaic \u015fi la cel tradi\u0163ional<\/span><\/p>\n

CARMEN D\u0102R\u0102BU\u015e<\/a>
\nLumea care se destram\u0103: M. Crnjanski, Romanul Londrei<\/em><\/span><\/p>\n

DANA DIACONU<\/a>
\nM\u00e1s all\u00e1 de los l\u00edmites<\/em>, en \u201cel umbral mismo de ese mundo ulterior\u201d. Hacia una po\u00e9tica narrativa de Enrique Vila-Matas<\/span><\/p>\n

GABRIELA E. DIMA<\/a>
\nFrantumi della campagna siciliana di Luigi Pirandello: favola, luce e violenza<\/span><\/p>\n

CONSTANTIN DRAM<\/a>
\n\u00centre dou\u0103 lumi \u2013 Prin\u0163ul \u00centunericului, Woland <\/span><\/p>\n

DELIA E\u015eIAN<\/a>
\n\u00bbWohin mir das Wort […] fiel\u00ab \u2013 Gott und Gottlosigkeit in der Dichtung Paul Celans<\/span><\/p>\n

NICOLAS GENEIX<\/a>
\nMani\u00e8res de cr\u00e9er d\u2019autres mondes : quelques r\u00e9cits de Stanislas Lem <\/span><\/p>\n

DOINA GHEORGHIU<\/a>
\nNuestros silencios<\/span><\/p>\n

LAURENCE GOUAUX<\/a>
\nEntre Occident et hindouisme: Queen of Dreams<\/em> de Chitra Banerjee Divakaruni <\/span><\/p>\n

CZESLAW GRZESIAK<\/a>
\n\u00ab\u00a0Graal Flibuste\u00a0\u00bb de Robert Pinget ou le voyage dans un monde \u00e0 la fois imaginaire, myst\u00e9rieux, merveilleux et fantastique<\/span><\/p>\n

LIVIA IACOB<\/a>
\nLumea poetic\u0103 \u015fi disolu\u0163ia realit\u0103\u0163ii: cazul Roland Gigu\u00e8re <\/span><\/p>\n

WAFAE KARZAZI<\/a>
\nLes espaces en conflit dans le discours romanesque de Le\u00efla Sebbar<\/span><\/p>\n

CRINA LEON<\/a>
\nConstructorul Solness <\/em>\u015fi Clopotul scufundat<\/em>: alte lumi de \u00eemplinire a idealului la Ibsen \u015fi Hauptmann<\/span><\/p>\n

ION LIHACIU<\/a>
\nDie literarische Zeitschrift Im Buchwald<\/em> (Czernowitz 1890-1891)<\/span><\/p>\n

ATINATI MAMATSASHVILI-KOBAKHIDZE<\/a>
\nLa couleur-lumi\u00e8re comme\u00a0moyen de d\u00e9construction de l\u2019espace homog\u00e8ne dans d’autres mondes. De Delacroix \u00e0 Le Cl\u00e9zio<\/span><\/p>\n

CECILIA MATICIUC<\/a>
\nA. Soljeni\u0163\u00een \u015fi lumile recluziunii<\/span><\/p>\n

CONSTANTIN-IONU\u0162 MIHAI<\/a>
\nCicero \u015fi imaginarul lumii de dincolo: note pe marginea dialogului Hortensius<\/em><\/span><\/p>\n

DANA NICA<\/a>
\nJean Barbeau et l\u2019\u00e9ch<\/em>ologie<\/span><\/p>\n

ECATERINA P\u0102TRA\u015eCU<\/a>
\nForeign Home and Familiar Abroad in Salman Rushdie\u2019s The Satanic Verses<\/em><\/span><\/p>\n

NICOLETA POPA-BL\u0102NARIU<\/a>
\nTous les Enfers ne sont pas pareils. R\u00e9\u00e9critures (post)modernes d\u2019un mythe \u00e0 l\u2019ancienne<\/span><\/p>\n

ADAMA SAMAKE<\/a>
\nLitt\u00e9rature et interculturalit\u00e9: le dialogue interculturel dans le roman africain de langue fran\u00e7aise<\/span><\/p>\n

IULIANA SAVU<\/a>
\nRusia lui Vladimir Sorokin, un an mai t\u00e2rziu<\/span><\/p>\n

SYLVIE SIBRA<\/a>
\nL\u2019\u00e9nigmatique monde du chaos fellinien<\/span><\/p>\n

PETRU\u0162A SP\u00c2NU<\/a>
\nInsula vr\u0103jit\u0103<\/span><\/p>\n

ANA-MARIA \u015eTEFAN<\/a>
\nLumea celuilalt ca \u201elumea cealalt\u0103\u201d: de la imaginarul Europei pre-moderne la imaginarul secolului XXI<\/span><\/p>\n

FLORIN \u0162UPU<\/a>
\nNon-teologia oglinzii. Simbol \u015fi alteritate<\/span><\/p>\n

TRADUCTIONS<\/strong><\/a><\/span><\/h5>\n

PRUDENTIUS: Psychomachia<\/em> \u2013 fragment (Mihai Baltag)<\/span><\/p>\n

Joseph Hall: O alta \u015fi totu\u015fi aceea\u015fi lume<\/em> \u2013 fragment (Constantin-Ionu\u0163 Mihai)<\/span><\/p>\n

Istorisire despre m\u0103rea\u0163a \u015fi vrednica de minunare \u00eemp\u0103r\u0103\u0163ie Antangil<\/em> \u2013 fragment (Mihaela Cern\u0103u\u0163i-Gorode\u0163chi)<\/span><\/p>\n

MARGARET CAVENDISH, DUCES\u0102 DE NEWCASTLE: Lumea Sclipitoare<\/em> \u2013 fragmente (Mihaela Cern\u0103u\u0163i-Gorode\u0163chi)<\/span><\/p>\n

TAM\u00c1SI \u00c1RON \u015fi lumea fantastic\u0103 a satului secuiesc (Gy\u00f6rfi-De\u00e1k Gy\u00f6rgy)<\/span><\/p>\n

JACQUELINE HARPMAN: Pr\u0103jiturelele<\/em> (Petru\u0163a Sp\u00e2nu)<\/span><\/p>\n

GORAN STEFANOVSKI, Teatru<\/em> \u2013 fragmente (Nikola Vangeli)<\/span><\/p>\n

JASMINE D’COSTA, Musafirul din casa bunicului<\/em> (Diana-Lavinia Bumbaru)<\/span><\/p>\n

PR\u00c9SENTATIONS DE LIVRES<\/strong><\/a><\/span><\/h5>\n

DAVID DAMROSCH (ed.): Teaching World Literature<\/em> (Ana-Maria\u00a0\u015etefan) <\/span><\/p>\n

CONSTANTIN DRAM: Ordinea iubirii de la Banchetul la Robinson Crusoe<\/em> (Sorin Mocanu) <\/span><\/p>\n

MONICA BO\u0162OIU: Neoclasicismele clasicismului francez<\/em> (Mihaela Cern\u0103u\u0163i-Gorode\u0163chi) <\/span><\/p>\n

ANA-MARIA \u015eTEFAN: Aspecte ale alterit\u0103\u0163ii \u00een drama istoric\u0103<\/em> (C\u0103t\u0103lin Constantinescu) <\/span><\/p>\n

ROBERT LAZU, MIHAELA CERN\u0102U\u0162I-GORODE\u0162CHI, GYORFI-D\u00c9AK GY\u00d6RGY: Enciclopedia lumii lui J. R. R. Tolkien<\/em> (Adrian Crupa) <\/span><\/p>\n

MARIA-ANA TUPAN: Literary Discourses of the New Physics<\/em> (Iulia Milic\u0103) <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 8\/2010 AUTRES MONDES Contenu R\u00e9sum\u00e9s SIMONA ANTOFI Teritorii ex-centrice \u00eentre perspectiva livresc-europocentric\u0103 \u015fi privirea c\u0103l\u0103torului str\u0103in \u2013 Cel\u0103lalt \u015fi lumea sa CARMEN ECATERINA A\u015eTIRBEI M\u00e9taphore et traductologie \u2013 ou savoir d\u00e9chiffrer la peinture des autres mondes C\u0102LIN-HORIA B\u00c2RLEANU Genera\u0163ia Xanax BOUCHRA BENBELLA Repr\u00e9sentations de l\u2019espace public \u00ab\u00a0Jama\u2019al-Fn\u00e2\u00a0\u00bb dans le r\u00e9cit de voyage … Continue reading 8\/2010, AUTRES MONDES<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":296,"menu_order":110,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-539","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=539"}],"version-history":[{"count":1,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions"}],"predecessor-version":[{"id":540,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions\/540"}],"up":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/296"}],"wp:attachment":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}