{"id":472,"date":"2017-09-11T11:32:15","date_gmt":"2017-09-11T08:32:15","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=472"},"modified":"2020-10-19T12:51:13","modified_gmt":"2020-10-19T09:51:13","slug":"15-12015-heroes-and-antiheroes","status":"publish","type":"page","link":"https:\/\/literaturacomparata.ro\/aic\/?page_id=472&lang=en","title":{"rendered":"15 (1\/2015) HEROES AND ANTIHEROES"},"content":{"rendered":"<h3 style=\"text-align: left;\" align=\"center\"><strong>ACTA IASSYENSIA COMPARATIONIS, 15 (1\/2015)<br \/>\nHEROES AND ANTIHEROES<br \/>\n<\/strong><\/h3>\n<hr \/>\n<h4 style=\"text-align: left;\" align=\"center\"><strong><a href=\"http:\/\/literaturacomparata.ro\/aic\/?page_id=472&amp;lang=en\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-1261\" src=\"http:\/\/literaturacomparata.ro\/aic\/wp-content\/uploads\/2020\/10\/15-AIC-web-2.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/a>Content<\/strong><\/h4>\n<p>Vincenzo REINA LI CRAPI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/01.AIC_15_Reina_Li_Crapi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Le statut du h\u00e9ros moderne<\/a><\/p>\n<p>Dany JACOB<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/02.AIC_15_Jacob.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Le <em>Dom Juan<\/em> de Moli\u00e8re : qui a lanc\u00e9 la premi\u00e8re pierre ?<\/a><\/p>\n<p>Amelia SANDU-ANDRIE\u015e<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/03.AIC_15_Sandu_Andries.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La perfecta casada<\/em> \u2013 H\u00e9roe y antih\u00e9roe en la visi\u00f3n cristiana de Fray Luis de Le\u00f3n<\/a><\/p>\n<p>Tancredi ARTICO<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/04.AIC_15_Artico.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Un imperfetto capitano nell\u2019epica barocca: il <em>Boemondo<\/em> di G. L. Sempronio come antitesi di Goffredo<\/a><\/p>\n<p>Emanuel GROSU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/05.AIC_15_Grosu.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Niels Klim: da antieroe a eroe&#8230; e ritorno<\/a><\/p>\n<p>Agn\u00e8s FELTEN<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/06.AIC_15_Felten.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Manich\u00e9isme et machiav\u00e9lisme dans le th\u00e9\u00e2tre de Byron, Musset et Schiller<\/a><\/p>\n<p>Laure L\u00c9V\u00caQUE<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/07.AIC_15_Leveque.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">De <em>Sens dessus dessous<\/em> \u00e0 <em>L\u2019\u00e9ternel Adam, Le meilleur des mondes<\/em> de Jules Verne<\/a><\/p>\n<p>Ema M\u0102RGINEANU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/08.AIC_15_Margineanu.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Thoreau\u2019s Anti-Hero and the Use of Polarities in <em>Walden<\/em><\/a><\/p>\n<p>Yesmine JAKANI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/09.AIC_15_Jakani.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">H\u00e9ro\u00efsme et anti-h\u00e9ro\u00efsme au sein d\u2019un parcours de l\u2019errance : le cas Raskolnikov<\/a><\/p>\n<p>Monn\u00e9 Caroline DOUA OULA\u00cf<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/10.AIC_15_Doua_Oulai.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">L\u2019H\u00e9ro\u00efsme zolien face \u00e0 la n\u00e9vrose<\/a><\/p>\n<p>Crina LEON<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/11.AIC_15_Leon.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nietzschean Antiheroes in Henrik Ibsen\u2019s <em>Hedda Gabler<\/em><\/a><\/p>\n<p>Ana Maria ALVES<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/12.AIC_15_Alves.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Joseph K. et Meursault: Anti-h\u00e9ros par excellence d\u2019un monde absurde<\/a><\/p>\n<p>Bechir KAHIA<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/13.AIC_15_Kahia.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Le refus d\u2019h\u00e9ro\u00efsme chez le personnage de Jean Giono<\/a><\/p>\n<p>Georgeta Loredana VOICIL\u0102<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/14.AIC_15_Voicila.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Hortensia Papadat-Bengescu, <em>Str\u0103ina<\/em>. Convertirea antieroinei<\/a><\/p>\n<p>Francis Ets\u00e8 AWITOR<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/15.AIC_15_Awitor.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Portraying a Tragic Hero in Ben Okri\u2019s <em>Flowers and Shadows<\/em>: the Case of Jonan Okwe<\/a><\/p>\n<p>Drago\u015f Silviu P\u0102DURARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/16.AIC_15_Paduraru.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Printre eroi \u015fi antieroi. Marginalii la un roman de H. Bonciu<\/a><\/p>\n<p>Rodah SECHELE-NTHAPELELANG<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/17.AIC_15_Sechele_Nthapelelang.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Le mythe de Samori Tour\u00e9 entre singularit\u00e9 identitaire et universalit\u00e9<\/a><\/p>\n<p>Yamina BAHI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/18.AIC_15_Bahi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Statut et trajectoire d\u2019un personnage \u00ab hors-norme \u00bb : la figure de l\u2019anti-h\u00e9ros dans <em>La Fable du nain<\/em> de Kamel Daoud<\/a><\/p>\n<p>Florica BODI\u015eTEAN<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/19.AIC_15_Bodistean.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Lumi \u201etari\u201d \u015fi lumi \u201eslabe\u201d \u00een dialog \u00een romanele Ioanei P\u00e2rvulescu<\/a><\/p>\n<p>Lavinia IENCEANU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/20.AIC_15_Ienceanu.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Eroicitate discret\u0103 sau discre\u0163ie eroic\u0103? Avataruri eroice \u00een <em>Eroul discret<\/em> al lui Mario Vargas Llosa<\/a><\/p>\n<p>Mihaela AANEI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/21.AIC_15_Aanei.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Ingeborg Bachmann und Paul Celan als Antihelden in Hans Weigels <em>Unvollendete Symphonie<\/em>. Der Schl\u00fcsselroman oder die Kunst der Verschleierung<\/a><\/p>\n<p>Pablo TURNES<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/22.AIC_15_Turnes.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">La milonga del destino. H\u00e9roes y anti-h\u00e9roes en <em>Un tal Daneri<\/em>, de Alberto Breccia y Carlos Trillo<\/a><\/p>\n<p>Drago\u015f AV\u0102DANEI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/23.AIC_15_Avadanei.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cBorn Losers\u201d: American Salesmen as Anti-Heroes<\/a><\/p>\n<p>Souad RAHMOUNI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/24.AIC_15_Rahmouni.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">The Stubborn Underdog Anti-hero and his Distorted Democratic Utopia in <em>I Married a Communist<\/em><\/a><\/p>\n<p>Iulia-M\u0103d\u0103lina PINTILIE<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/25.AIC_15_Pintilie.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cReplicant\u201d Heroes and Human Anti-Heroes in Philip K. Dick\u2019s <em>Do Androids Dream of Electric Sheep?<\/em> and Ridley Scott\u2019s <em>Blade Runner<\/em><\/a><\/p>\n<p>Marius-Adrian HAZAPARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/26.AIC_15_Hazaparu.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Taking Sides: Heroes, Antiheroes, and Journalism of Attachment in Ryszard Kapu\u015bci\u0144ski\u2019s <em>Imperium<\/em><\/a><\/p>\n<p>Catinca Adriana STAN<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/27.AIC_15_Stan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">De peuple sauvage au peuple fondateur : l\u2019image des Am\u00e9rindiens et des Daces dans les manuels scolaires du Qu\u00e9bec et de la Roumanie<\/a><\/p>\n<p>Livia IACOB<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/28.AIC_15_Iacob_1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Gis\u00e8le Vanhese, <em>Le M\u00e9ridien balkanique<\/em><\/a><\/p>\n<p>Loredana CUZMICI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/29.AIC_15_Cuzmici.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Puiu Ioni\u0163\u0103, <em>Poezie mistic\u0103 rom\u00e2neasc\u0103<\/em><\/a><\/p>\n<p>Livia IACOB<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/Old\/acta15\/30.AIC_15_Iacob_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Viorica S. Constantinescu, <em>C\u00e2ntarea inimii fericite. Poezie egiptean\u0103 de dragoste din Regatul Nou<\/em><\/a><\/p>\n<hr \/>\n<p><strong><a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-15\/AIC_15_FULL.pdf\">Issue 15<\/a> (PDF)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACTA IASSYENSIA COMPARATIONIS, 15 (1\/2015) HEROES AND ANTIHEROES Content Vincenzo REINA LI CRAPI Le statut du h\u00e9ros moderne Dany JACOB Le Dom Juan de Moli\u00e8re : qui a lanc\u00e9 la premi\u00e8re pierre ? Amelia SANDU-ANDRIE\u015e La perfecta casada \u2013 H\u00e9roe y antih\u00e9roe en la visi\u00f3n cristiana de Fray Luis de Le\u00f3n Tancredi ARTICO Un imperfetto &hellip; <a href=\"https:\/\/literaturacomparata.ro\/aic\/?page_id=472&#038;lang=en\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">15 (1\/2015) HEROES AND ANTIHEROES<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":291,"menu_order":103,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/472"}],"collection":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=472"}],"version-history":[{"count":2,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/472\/revisions"}],"predecessor-version":[{"id":1262,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/472\/revisions\/1262"}],"up":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/291"}],"wp:attachment":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}