{"id":2037,"date":"2024-07-19T14:44:54","date_gmt":"2024-07-19T11:44:54","guid":{"rendered":"https:\/\/literaturacomparata.ro\/aic\/?page_id=2037"},"modified":"2025-02-22T14:25:13","modified_gmt":"2025-02-22T11:25:13","slug":"32-2-2023-literatura-si-film","status":"publish","type":"page","link":"https:\/\/literaturacomparata.ro\/aic\/?page_id=2037&lang=ro","title":{"rendered":"32 (2\/2023) LITERATUR\u0102 \u0218I FILM"},"content":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS 32, (2\/2023)<\/span>
\nLITERATURE AND FILM \/ LITT\u00c9RATURE ET FILM \/ LITERATUR\u0102 \u0218I FILM
\n<\/strong><\/h3>\n
\n

\"\"<\/a>Contents<\/strong><\/h4>\n

Federico SIRAGUSA
\nMiguel, le nouveau Dante : voyage entre le film d\u2019animation Coco<\/em> et le po\u00e8me dantesque<\/a><\/p>\n

Dora LEONTARIDOU
\nL\u2019esth\u00e9tique de la synesth\u00e9sie dans Tous les matins du monde<\/em> de Pascal Quignard, roman et film<\/a><\/p>\n

Andrei STIPIUC
\nHospice Words. Text Mining and Visualizations in Ken Kesey\u2019s Cuckoo\u2019s Nest and Hauben & Goldman\u2019s Movie Script<\/a><\/p>\n

Andrea GRASSI
\nDal teatro al cinema: la rappresentazione del Lager nazista nel passaggio dal testo teatrale Il vicario<\/em> (1963) di Rolf Hochhuth al suo adattamento cinematografico Amen.<\/em> (2002) di Costa-Gavras<\/a><\/p>\n

C\u0103t\u0103lina-Diana TELIBAN
\nNegotiating an Approach to Trauma: where Visual Media and Literature Diverge<\/a><\/p>\n

Ammar KANDEEL
\nWriting the History of the Palestinian Nakba<\/em> in Return to Haifa<\/em> from Novella to Militant Film<\/a><\/p>\n

Nassima TERKI
\nWhen Literature Turns into History: Heart of Darkness<\/em> (1902) by Joseph Conrad and Avatar<\/em> (2009) by James Cameron<\/a><\/p>\n

Fathi ADIL
\nDu papier \u00e0 l\u2019\u00e9cran, La ville de Paris dans Le journal d\u2019une femme de chambre<\/em><\/a><\/p>\n

Laurent BALAGU\u00c9
\nTrop tard : litt\u00e9rature et cin\u00e9ma au travers de Lampedusa, Visconti, Deleuze, Nietzsche et quelques autres<\/a><\/p>\n

Marie-Reine MOUTON
\nDe la pellicule \u00e0 la page. Werner Herzog, \u00e9crivain du cin\u00e9ma<\/a><\/p>\n

Maritza Beatriz GARC\u00cdA RODR\u00cdGUEZ
\n\u00c9crire le r\u00e9el par le d\u00e9tail : La question de la figure<\/em> chez Nathalie Sarraute et Robert Bresson<\/a><\/p>\n

Vida Gertrude VOIGT-HOGG
\nSimone Weil\u2019s Practice of Attention as a Ritual of Prayer: Robert Bresson and Georges Bernanos<\/a><\/p>\n

Cristina STANCU
\nMacbeth<\/em>: Distil\u0103ri cinematografice<\/a><\/p>\n

Dolores AICEGA
\nMercedes VERNET
\nWhere does Pip migrate to? Unexpected parallels in Lloyd Jones\u2019s Mister Pip<\/em> and Abramson\u2019s Mr. Pip<\/em><\/a><\/p>\n

Ewa A. \u0141UKASZYK
\nLife Wins in the West. Agnieszka Holland\u2019s East-European Interpretation of The Secret Garden<\/em><\/a><\/p>\n

Laura-Victoria STOICA
\nSullivan\u2019s Travels<\/em> (1941): The American Gulliver<\/em> and the Depression-Era Deconstruction of the American Dream<\/a><\/p>\n

Silvio Tamaso D\u2019ONOFRIO
\nAndr\u00e9 Luiz SILVA DE SOUZA
\nGhost in the Shell<\/em> as a Cyberpunk Rhapsody<\/a><\/p>\n

\u015etefana IOSIF
\nIdentity: The New Final Frontier. Singularity and Multitudes in The Very Pulse of the Machin<\/em>e<\/a><\/p>\n

Stefana SQUATRITO
\nLitt\u00e9rature et film en classe de FLE. Ce que la trans\u00e9criture cin\u00e9matographique pourrait apporter au texte litt\u00e9raire. Quelques r\u00e9flexions<\/a><\/p>\n

—
\nIssue 32 (PDF)<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS 32, (2\/2023) LITERATURE AND FILM \/ LITT\u00c9RATURE ET FILM \/ LITERATUR\u0102 \u0218I FILM Contents Federico SIRAGUSA Miguel, le nouveau Dante : voyage entre le film d\u2019animation Coco et le po\u00e8me dantesque Dora LEONTARIDOU L\u2019esth\u00e9tique de la synesth\u00e9sie dans Tous les matins du monde de Pascal Quignard, roman et film Andrei STIPIUC Hospice … Continue reading 32 (2\/2023) LITERATUR\u0102 \u0218I FILM<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":293,"menu_order":86,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/2037"}],"collection":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2037"}],"version-history":[{"count":2,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/2037\/revisions"}],"predecessor-version":[{"id":2208,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/2037\/revisions\/2208"}],"up":[{"embeddable":true,"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/293"}],"wp:attachment":[{"href":"https:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}