{"id":545,"date":"2017-09-11T15:15:50","date_gmt":"2017-09-11T12:15:50","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=545"},"modified":"2017-09-11T16:39:12","modified_gmt":"2017-09-11T13:39:12","slug":"72009-le-sourire","status":"publish","type":"page","link":"http:\/\/literaturacomparata.ro\/aic\/?page_id=545&lang=fr","title":{"rendered":"7\/2009, LE (SOU)RIRE"},"content":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 7\/2009
\nLE (SOU)RIRE<\/h3>\n
\n

Contenu<\/strong><\/h4>\n

R\u00e9sum\u00e9s<\/a><\/strong><\/span><\/p>\n

CLAUDIU T. ARIE\u015eAN<\/a>
\nSur\u00e2sul simpatetic \u015fi cultura cre\u015ftin\u0103 clasic\u0103<\/span><\/p>\n

CARMEN RALUCA A\u015eTELIAN<\/a>
\nR\u00e2s \u015fi t\u0103cere \u00een teatrul religios medieval \u015fi renascentist<\/span><\/p>\n

MIHAI BALTAG<\/a>
\nSurse ale umorului \u00een Broa\u015ftele <\/em> lui Aristofan<\/span><\/p>\n

GUILLAUME BELLON<\/a>
\n\u00ab\u00a0Le Sourire de Barthes\u00a0\u00bb<\/span><\/p>\n

RENATA BIZEK-TATARA<\/a>
\nLe rire salvateur dans L\u2019Histoire ex\u00e9crable d\u2019un h\u00e9ros braban\u00e7on<\/em> de Jean Muno<\/span><\/p>\n

NAJLA BOULIFA-SHILI<\/a>
\nSous le rire de Louise Erdrich\u00a0: entre d\u00e9sacralisation et survie<\/span><\/p>\n

MIHAELA CERN\u0102U\u0162I-GORODE\u0162CHI<\/a>
\nNon-r\u00eesul ca boal\u0103 \u00een spa\u0163iul fabulosului<\/span><\/p>\n

FATIMA ZOHRA CHIALI-LALAOUI<\/a>
\nLe dire par l\u2019humour (\u00e0 travers une lecture de Muriel Robin)<\/span><\/p>\n

CONSTANTIN DRAM<\/a>
\nC\u00e2teva note asupra su-r\u00e2sului sadovenian<\/span><\/p>\n

DELIA E\u015eIAN<\/a>
\nweiter leben<\/em> im Zug des Lebens<\/em>: (Galgen-)Humor im literarischen und filmischen Umgang mit dem Holocaust<\/span><\/p>\n

DOINA GHEORGHIU<\/a>
\n\u00bfPor qu\u00e9 no se r\u00eden Cioran y S\u00e1bato?<\/span><\/p>\n

CZESLAW GRZESIAK<\/a>
\nLe (sou)rire dans \u00ab\u00a0L\u2019Homme qui rit\u00a0\u00bb de Victor Hugo<\/span><\/p>\n

SIMONE GY\u00d6RFI<\/a>
\nDe la sur\u00e2sul lui Buddha la Sur\u00e2sul Hiroshimei<\/em><\/span><\/p>\n

GY\u00d6RFI-DEAK GY\u00d6RGY<\/a>
\nDialectic\u0103 sur\u00e2z\u0103toare<\/span><\/p>\n

MARTIN A. HAINZ<\/a>
\nRisus paschalis<\/em> \u2013 oder: Keep \u2018em laughing as you go<\/em>. Lachen und Blasphemie<\/span><\/p>\n

TEODORO PABLO LECMAN<\/a>
\nUna sonrisa sin cuerpo<\/span><\/p>\n

ION LIHACIU<\/a>
\nDer Anfang des Theaterlebens in der Bukowina wiederspiegelt in der wiener satyrischen Zeitschrift der Humorist<\/em> und in der amtlichen Czernowitzer Zeitung<\/em><\/span><\/p>\n

ELENA M\u00c2NDRIL\u0102<\/a>
\nR\u00e2sul \u015fi universul copil\u0103riei<\/span><\/p>\n

ANNE-C\u00c9LINE MICHEL<\/a>
\nLa satire mussetienne\u00a0comme pr\u00e9figuration de la d\u00e9sesp\u00e9rance<\/span><\/p>\n

ROSEANNA MUELLER<\/a>
\nTales from the House of Smiles: Teresa de la Parra\u2019s Mama Blanca\u2019s Memoirs<\/em><\/span><\/p>\n

ANA OANCEA<\/a>
\n1830 sous le rire m\u00e9phistoph\u00e9lique de Julien Sorel<\/span><\/p>\n

MIHAELA PARASCHIV<\/a>
\nO doctrin\u0103 a r\u00e2sului \u00een antichitatea greco-latin\u0103<\/span><\/p>\n

VIRGINIE PRIOUX<\/a>
\nLe Rire qui ne fait pas rire dans La Cur\u00e9e<\/em> d\u2019\u00c9mile Zola<\/span><\/p>\n

LAURENT ROBERT<\/a>
\nContre \u00ab\u00a0le fin sourire\u00a0\u00bb\u00a0: la po\u00e9tique du rire de Georges Fourest<\/span><\/p>\n

IULIANA SAVU<\/a>
\nPoetica (su)r\u00e2sului \u00een Noi<\/em> de Evgheni Zamiatin<\/span><\/p>\n

ARVI SEPP<\/a>
\nHumor und Hoffnung im Dritten Reich. Der Witz als regimekritische Ausdrucksform in den Tageb\u00fcchern Victor Klemperers<\/span><\/p>\n

SYLVIE SIBRA<\/a>
\nL\u2019\u00e9nigmatique sourire fellinien<\/span><\/p>\n

EMMANUELLE SINARDET<\/a>
\nDe la comicidad de la risa al humor de la sonrisa: Pantale\u00f3n y las visitadoras<\/em> de Mario Vargas Llosa\u00a0a la luz de la teor\u00eda de los humores de Ben Jonson<\/span><\/p>\n

PETRU\u0162A SP\u00c2NU<\/a>
\nR\u00ees \u015fi rictus \u00een povestirea Candid sau Optimismul<\/em> de Voltaire<\/span><\/p>\n

ANA-MARIA \u015eTEFAN<\/a>
\nR\u00e2sul \u015fi moartea: un caz de \u201emezalian\u0163\u0103\u201d tematic\u0103 \u00een romanele Return to Laughter<\/em> al Laurei Bohannan \u015fi Ways of Dying<\/em> al lui Zakes Mda<\/span><\/p>\n

TRADUCTIONS<\/strong><\/a><\/span><\/p>\n

G. K. CHESTERTON \u015fi sim\u0163ul definitiv al umorului (Claudiu T. Arie\u015fan) <\/span><\/p>\n

JEAN JAUNIAUX: Halatul<\/em> (Petru\u0163a Sp\u00e2nu) <\/span><\/p>\n

BRANISLAV NU\u0160IC: Autobiografie<\/em> \u2013 fragment (Nikola Vangeli)
\n<\/span><\/p>\n

COMPTES-RENDUS<\/strong><\/a><\/span><\/p>\n

A MAJESTIC ROMANIAN APPROACH TO WORLD LITERARY HUMOUR – VAL PANAITESCU, Humorul. Sintez\u0103 istorico-teoretic\u0103<\/em> (Ana-Maria \u015etefan) <\/span><\/p>\n

HARALD H\u00d6FFDING, Humorul ca sentiment vital<\/em> (Claudiu T. Arie\u015fan) <\/span><\/p>\n

PERSPECTIVE ASUPRA TEATRULUI: ABORDAREA PROBLEMATOLOGIC\u0102 – MICHEL MEYER, Comicul \u015fi tragicul: perspectiv\u0103 asupra teatrului \u015fi istoriei sale<\/em> (C\u0103t\u0103lin Constantinescu) <\/span><\/p>\n

DON QUIJOTE<\/em> – SINTEZA OCCIDENTAL\u0102 A AVENTURII INI\u0162IATICE – ANDREEA OLARU CERVATIUC, Don Quijote – punte \u00eentre mituri<\/em> (C\u0103t\u0103lin Constantinescu)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

ACTA IASSYENSIA COMPARATIONIS, 7\/2009 LE (SOU)RIRE Contenu R\u00e9sum\u00e9s CLAUDIU T. ARIE\u015eAN Sur\u00e2sul simpatetic \u015fi cultura cre\u015ftin\u0103 clasic\u0103 CARMEN RALUCA A\u015eTELIAN R\u00e2s \u015fi t\u0103cere \u00een teatrul religios medieval \u015fi renascentist MIHAI BALTAG Surse ale umorului \u00een Broa\u015ftele lui Aristofan GUILLAUME BELLON \u00ab\u00a0Le Sourire de Barthes\u00a0\u00bb RENATA BIZEK-TATARA Le rire salvateur dans L\u2019Histoire ex\u00e9crable d\u2019un h\u00e9ros braban\u00e7on … Continue reading 7\/2009, LE (SOU)RIRE<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":296,"menu_order":111,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/545"}],"collection":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=545"}],"version-history":[{"count":1,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/545\/revisions"}],"predecessor-version":[{"id":547,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/545\/revisions\/547"}],"up":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/296"}],"wp:attachment":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}