{"id":1596,"date":"2022-02-01T12:38:59","date_gmt":"2022-02-01T09:38:59","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=1596"},"modified":"2024-03-05T16:19:20","modified_gmt":"2024-03-05T13:19:20","slug":"numero-en-cours-5","status":"publish","type":"page","link":"http:\/\/literaturacomparata.ro\/aic\/?page_id=1596&lang=fr","title":{"rendered":"31 (1\/2023) CORPS HUMAIN ET LA CORPORALIT\u00c9 DANS LA LITT\u00c9RATURE"},"content":{"rendered":"<h3 style=\"text-align: left;\" align=\"center\"><strong>ACTA IASSYENSIA COMPARATIONIS 31, (1\/2023)<br \/>\n<span style=\"color: #000000;\">LE CORPS HUMAIN ET LA CORPORALIT\u00c9 DANS LA LITT\u00c9RATURE<\/span><\/strong><\/h3>\n<hr \/>\n<h4 style=\"text-align: left;\" align=\"center\"><strong><a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/AIC%2031%20FULL.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1873 size-full\" src=\"http:\/\/literaturacomparata.ro\/aic\/wp-content\/uploads\/2023\/09\/00_Coperta1_31_Layout-small.png\" alt=\"\" width=\"212\" height=\"300\" \/><\/a>Contenu<\/strong><\/h4>\n<p>Florent R\u00c9THOR\u00c9<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/01%20Rhetore_Layout%201.pdf\"><em>Tristan<\/em> d\u00e9membr\u00e9: l\u2019impossibilit\u00e9 de trancher<\/a><\/p>\n<p>Leticia DING<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/02%20Ding_Layout%201.pdf\">Le corps terrestre et le corps c\u00e9leste de la sainte travestie: <em>La Vie de Sainte Marine<\/em> (XIIIe si\u00e8cle)<\/a><\/p>\n<p>Andrei Victor COJOCARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/03%20Cojocaru_Layout%201.pdf\">Trupul uman \u015fi corpul simbolic al lumii \u00een <em>Divina Comedie<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Ana Mar\u00eda ALONSO FERN\u00c1NDEZ<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/04%20Alonso%20Fernandez_Layout%201.pdf\"><em>El Busc\u00f3n<\/em> de Quevedo: una visi\u00f3n grotesca y degradadora del cuerpo humano<\/a><\/p>\n<p>Lavinia SIMILARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/05%20Similaru_Layout%201.pdf\">El cuerpo femenino seg\u00fan Cervantes<\/a><\/p>\n<p>Luisa MESSINA<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/06%20Messina_Layout%201.pdf\">La prostitution au dix-huiti\u00e8me si\u00e8cle<\/a><\/p>\n<p>Paul Matei Christian BOTEZ<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/07%20Botez_Layout%201.pdf\">La corporalit\u00e9 refoul\u00e9e dans <em>Le Portrait de Dorian Gray<\/em><\/a><\/p>\n<p>Drago\u015f CARASEVICI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/08%20Carasevici_Layout%201.pdf\">Der Dramatiker als fiktiver Regisseur. Friedrich D\u00fcrrenmatts B\u00fchnenanweisungen zur k\u00f6rperlichen T\u00e4tigkeit des Schauspielers<\/a><\/p>\n<p>Hassouna MANSOURI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/09%20Mansouri_Layout%201.pdf\">\u00abDemande un esprit sain dans un corps vigoureux \u00bb, lecture d\u2019<em>Un assassin est mon ma\u00eetre<\/em> d\u2019Henry de Montherlant<\/a><\/p>\n<p>Giulia SCIALPI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/10%20Scialpi_Layout%201.pdf\">Tra \u00abmale gaze\u00bb e incapacit\u00e0 di vedere. Una lettura del racconto <em>Il seno nudo<br \/>\n<\/em> di Italo Calvino<\/a><\/p>\n<p>Lili\u00e1n ILLADES AGUIAR<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/11%20Aguiar_Layout%201.pdf\">Manuel Payno: la sangre de <em>Los Bandidos<\/em><\/a><\/p>\n<p>Sara SHIRVAN<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/12%20Shirvan_Layout%201.pdf\">Herv\u00e9 Guibert; The Emergence of the \u201cSelf \u201d through Icono-Textual Descriptions of a Body in Metamorphosis<\/a><\/p>\n<p>Tzu-Chun KING<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/13%20King_Layout%201.pdf\">Le corps \u00e0 l\u2019\u00e9preuve de l\u2019image : moulage et photographie chez Maurice Blanchot<\/a><\/p>\n<p>Bernard RIB\u00c9MONT<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/14%20Ribemont_Layout%201.pdf\">Thomas Owen, le fantastique et le corps de la femme<\/a><\/p>\n<p>Florina MATU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/15%20Matu_Layout%201.pdf\">Identit\u00e9s corporelles dans les romans de Le\u00efla Slimani<\/a><\/p>\n<p>Marie-France PRISCA<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/16%20Prisca_Layout%201.pdf\">L\u2019exp\u00e9rience du corps et les repr\u00e9sentations sensibles dans le roman africain<\/a><\/p>\n<p>Adil BOUDIAB &amp; Outhman BOUTISANE<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/17%20Boudiab_Boutisane_Layout%201.pdf\">Les repr\u00e9sentations du corps chez Driss Chra\u00efbi et Khaled Hosseini<\/a><\/p>\n<p>Alioune DIENG<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/18%20Dieng_Layout%201.pdf\">La corporalit\u00e9 fantastique bugulienne dans le contexte de la mondialisation<\/a><\/p>\n<p>Joseph NGANGOP &amp; Ynes Kelly NJAHAN GATCHOU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/19%20Ngangop_Gatchou_Layout%201.pdf\">De la n\u00e9gation du corps au terrorisme dans Oussama mon amour de Youssouf Amine Elalamy<\/a><\/p>\n<p>Santa Vanessa CAVALLARI<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/20%20Cavallari_Layout%201.pdf\">Pour un \u00e9rotisme kitsch dans <em>Yo-Yo Boing!<\/em> Bouleverser la corporalit\u00e9 dans les r\u00f4les sociaux<\/a><\/p>\n<p>Andrei Victor COJOCARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/21%20Cojocaru_Layout%201.pdf\">Constantin Ivanov (2022). <em>R\u0103ul: interpret\u0103ri literare<\/em>. Ia\u015fi: Editura Universit\u0103\u0163ii \u201eAlexandru Ioan Cuza\u201d. 272p.<\/a><\/p>\n<p>C\u0103t\u0103lin CONSTANTINESCU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/22%20Constantinescu_Layout%201.pdf\">Mihaela Ursa (2022). <em>Indisciplina fic\u0163iunii: via\u0163a de dup\u0103 carte a literaturii<\/em>. Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 311p.<\/a><\/p>\n<p>Andrei Victor COJOCARU<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/23%20Cojocaru_Layout%201.pdf\">Sorin Mocanu (2022). <em>Dimensiunea comportamental\u0103 a s\u0103rb\u0103torescului<\/em>. Flore\u015fti: Editura Limes. 418p.<\/a><\/p>\n<p>&#8212;<br \/>\n<a href=\"http:\/\/www.literaturacomparata.ro\/Site_Acta\/issues\/aic-31\/AIC%2031%20FULL.pdf\"><strong>Issue 31 (PDF)<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACTA IASSYENSIA COMPARATIONIS 31, (1\/2023) LE CORPS HUMAIN ET LA CORPORALIT\u00c9 DANS LA LITT\u00c9RATURE Contenu Florent R\u00c9THOR\u00c9 Tristan d\u00e9membr\u00e9: l\u2019impossibilit\u00e9 de trancher Leticia DING Le corps terrestre et le corps c\u00e9leste de la sainte travestie: La Vie de Sainte Marine (XIIIe si\u00e8cle) Andrei Victor COJOCARU Trupul uman \u015fi corpul simbolic al lumii \u00een Divina Comedie &hellip; <a href=\"http:\/\/literaturacomparata.ro\/aic\/?page_id=1596&#038;lang=fr\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">31 (1\/2023) CORPS HUMAIN ET LA CORPORALIT\u00c9 DANS LA LITT\u00c9RATURE<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":296,"menu_order":87,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1596","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1596"}],"version-history":[{"count":24,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1596\/revisions"}],"predecessor-version":[{"id":1944,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1596\/revisions\/1944"}],"up":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/296"}],"wp:attachment":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}