{"id":1067,"date":"2020-01-10T12:06:03","date_gmt":"2020-01-10T09:06:03","guid":{"rendered":"http:\/\/literaturacomparata.ro\/aic\/?page_id=1067"},"modified":"2020-06-26T12:14:58","modified_gmt":"2020-06-26T09:14:58","slug":"dummy-current-fr","status":"publish","type":"page","link":"http:\/\/literaturacomparata.ro\/aic\/?page_id=1067&lang=fr","title":{"rendered":"24 (2\/2019) R\u00e9alit\u00e9 \u2013 Irr\u00e9alit\u00e9"},"content":{"rendered":"<h3 style=\"text-align: left;\" align=\"center\"><strong>ACTA IASSYENSIA COMPARATIONIS, 24 (2\/2019)<br \/>\nR\u00e9alit\u00e9 \u2013 Irr\u00e9alit\u00e9<br \/>\n<\/strong><\/h3>\n<hr \/>\n<h4 style=\"text-align: left;\" align=\"center\"><strong><a href=\"http:\/\/literaturacomparata.ro\/aic\/wp-content\/uploads\/2020\/01\/00_Coperta.png\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-1076 size-full alignleft\" src=\"http:\/\/literaturacomparata.ro\/aic\/wp-content\/uploads\/2020\/01\/00_Coperta.png\" alt=\"\" width=\"212\" height=\"300\" \/><\/a>Contenu<\/strong><\/h4>\n<p>PETRU\u0162A SP\u00c2NU<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/01%20Spanu_Layout%201.pdf\">\u201cHop one, hop one, this is our motto\u201d (Belgian Surrealism in Literature)<\/a><\/p>\n<p>GABRIELE BIZZARRI<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/02%20Bizzarri_Layout%201.pdf\">\u2018The Old Man who Read Boom Stories\u2019: Nature, Culture and Wonder in Luis Sep\u00falveda<\/a><\/p>\n<p>ALEXANDRU POPA<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/03%20Popa_Layout%201.pdf\">The Reality of the Tragedy \u2013 The Unreality of the Drama. An Interpretation of Iphigenia auf Tauris by J.W. Goethe as Proof for Fictional Dramatic Events<\/a><\/p>\n<p>ELYSSA REBAI<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/04%20Rebai_Layout%201.pdf\">From the Real Garden to the Dream Garden in George Sand\u2019s Fiction: Variations and Functions<\/a><\/p>\n<p>MOUSSA CAMARA<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/05%20Camara_Layout%201.pdf\">Illusion and Reality in Gustave Flaubert\u2019s Madame Bovary and Sentimental Education<\/a><\/p>\n<p>ERIKA PADOVA<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/06%20Padova_Layout%201.pdf\">At the Crossroads between Real and Unreal: On Imagination in the Works of Villiers de l\u2019IsleAdam, Oscar Wilde and Gabriele D\u2019Annunzio<\/a><\/p>\n<p>MATTIA DELMONDO<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/07%20Delmondo_Layout%201.pdf\">Alberto Moravia\u2019s La nativit\u00e0 between \u00abMagic Realism\u00bb and \u00abDaily Unreality\u00bb<\/a><\/p>\n<p>FLAVIEN FALANTIN<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/08%20Falantin_Layout%201.pdf\">Frantz Fanon or The Unbearable Unreality of Being. Towards a Narrative and Readerly Analysis of Lactification<\/a><\/p>\n<p>CELESTINE DIBOR SARR<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/09%20Sarr_Layout%201.pdf\">From Fiction to Reality in the Nouveau Roman: The Perception of Tropism in Nathalie Sarraute\u2019s Works<\/a><\/p>\n<p>GIUSEPPE CRIVELLA<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/10%20Crivella_Layout%201.pdf\">The Real and Its Double&#8230; Sartre and Blanchot: Which Imagery for the Novel?<\/a><\/p>\n<p>MONICA TAMA\u015e<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/11%20Tamas_Layout%201.pdf\">Tales of an Improbable Reality and Its Consequences. Yoko Tawada\u2019s The Emissary<\/a><\/p>\n<p>MAURA ROSSI<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/12%20Rossi_Layout%201.pdf\">Against a Harsh Reality, Imagination: Isaac Rosa\u2019s \u2018CounterRealism\u2019 in Aqu\u00ed vivi\u00f3 and Tu futuro empieza aqu\u00ed<\/a><\/p>\n<p>MARIA-LUISA \u0162UCULEANU<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/13%20Tuculeanu_Layout%201.pdf\">The experience of light and (non)colour between reality and nonreality in Eug\u00e8ne Ionesco\u2019s work<\/a><\/p>\n<p>LAURENT BALAGU\u00c9<br \/>\n<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/14%20Balague_Layout%201.pdf\">Reality and Unreality in Robert Musil\u2019s Novel: The Man Without Qualities<\/a><\/p>\n<p>Lavinia SIMILARU<a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/14%20Similaru_Layout%201.pdf\"><br \/>\n<\/a><a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/14%20Similaru_Layout%201.pdf\">Reality and Unreality in <em>Marianela<\/em> by Benito P\u00e9rez Gald\u00f3s<\/a><\/p>\n<hr \/>\n<p><strong><a href=\"http:\/\/literaturacomparata.ro\/Site_Acta\/issues\/aic-24\/AIC_2_24_FULL.pdf\">Issue 24<\/a> (PDF)<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACTA IASSYENSIA COMPARATIONIS, 24 (2\/2019) R\u00e9alit\u00e9 \u2013 Irr\u00e9alit\u00e9 Contenu PETRU\u0162A SP\u00c2NU \u201cHop one, hop one, this is our motto\u201d (Belgian Surrealism in Literature) GABRIELE BIZZARRI \u2018The Old Man who Read Boom Stories\u2019: Nature, Culture and Wonder in Luis Sep\u00falveda ALEXANDRU POPA The Reality of the Tragedy \u2013 The Unreality of the Drama. An Interpretation of &hellip; <a href=\"http:\/\/literaturacomparata.ro\/aic\/?page_id=1067&#038;lang=fr\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">24 (2\/2019) R\u00e9alit\u00e9 \u2013 Irr\u00e9alit\u00e9<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":296,"menu_order":94,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1067"}],"collection":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1067"}],"version-history":[{"count":6,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1067\/revisions"}],"predecessor-version":[{"id":1312,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/1067\/revisions\/1312"}],"up":[{"embeddable":true,"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=\/wp\/v2\/pages\/296"}],"wp:attachment":[{"href":"http:\/\/literaturacomparata.ro\/aic\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}