ACTA IASSYENSIA COMPARATIONIS 28, (2/2021)
LITERATURA ŞI CULTURA POP/ LITERATURE AND POP CULTURE / LA LITTÉRATURE ET LA CULTURE POP
Contenu
LAURENT BALAGUÉ
«Littérature mineure» et culture pop : les liens possibles
LAURA CIOCHINĂ-CARASEVICI
Dimensiones psicosociales de la interpretación de la novela Don Quijote de la Mancha a la luz de la canción popular
The Impossible Dream del musical Man of La Mancha
LUISA MESSINA
Les cafés
JORGE LÓPEZ LÓPEZ
Acne Mags: Identifying the Time Setting in Clive James’ Novels through Bric-a-Brac Facts
ANDREI VICTOR COJOCARU
A New Way to (Mis)Understand the Power of Fantasy in Mark Lawrence’s
The Broken Empire Trilogy
KATHRIN NEIS
‘The (Meta-)Game is On’. Metafiction in SHERLOCK
MARÍA INÉS ARRIZABALAGA
Fluidization of Knowledge, Hypermedia Translation and Defiction Combine for a Fictional World of the MacLachlan Clan?
NICOLAE BOBARU
De la mica sirenă la Ariel
DRAGOŞ CARASEVICI
Mr. Yeats sings the blues. O discuţie a albumului An Appointment with Mr. Yeats
(The Waterboys) din perspectiva teoriei receptării
TIJANA CUPIC
The Perfect Miss Narco: On Hateful Representation of Women in Netflix TV Shows El Chapo and Narcos: Mexico
ELISABETH SCHULZ
Le shtetl de Sholem Aleichem: du roman yiddish au film américain
CĂTĂLIN CONSTANTINESCU
Adaptation and Transposition in Ulver’s Themes from William Blake’s Marriage of
Heaven and Hell